There is a movie by Yasujiro Ozu, from the Japanese cinema with a very significant film called Late Spring (1949). This jewel of the Ozu period explodes with a unique delicacy, the relationship between a father and a daughter, and the inevitable passage of time that transforms the affections and family dynamics.
I love the message it leaves about filial love, social duties and the melancholy beauty of letting go, of letting go.
It is a work of universal cinema, it manages to turn the everyday into a deep reflection of our human bonds, emotional maturity and the cycles of life, from a sensitive perspective, of contemporary cinema. This work also illuminates, with subtlety, the silences and emotions that inhabit every family.
Because it marks the relationship of a father with his daughter without melodrama in the framework of a vital conflict of detachment, the daughter's marriage, and her resistance to marry in order not to leave her father alone and the wisdom of the.father who urges her to marry, as a law of life, aware that it is the best for the daughter, although he knows that the cost will be his own loneliness.
In the end, the dialogue between father and daughter is full of tenderness, love and hope, where each one assumes the destiny that life indicates, in a dynamic of humanization, between detachment, kindness and the need for affection. There is a lot of humanism without sentimentality, in this film, it is about understanding the inner storm of every passion and emotion with the sad smile and the look, in the distance, of human beings, that we are real.
Big hug for everyone. Nice day.
Janitze.🐝
Separator made with [Canva]( https://www.canva.com /) by @janitzearratia
Any images in this post are taken with my iPhone 12, the Infinix pro-note 30 or with the camera eighties Rolleiflex 2.8 f, and edited with [Canva]( https://www.canva.com /)
Translation with |DeepL
