Television Review: Safe (The Shield, S3X07, 2004)

in Movies & TV Shows5 days ago

(source:tmdb.org)

Safe (S03E07)

Airdate: April 20th 2004

Written by: Adam E. Fierro
Directed by: Peter Horton

Running Time: 45 minutes

In its seven-season run, The Shield was often praised for its visceral, unflinching portrayal of police work in a fictionalised Los Angeles precinct. Less frequently noted, but arguably just as significant, was its occasional, almost inadvertent, role as a cultural educator. By grafting his narratives onto the complex social fabric of contemporary Los Angeles, creator Shawn Ryan introduced a mainstream American television audience to specific, often gritty subcultures and trends percolating within the city's more 'problematic' neighbourhoods. This educational function is epitomised in Season 3’s Safe, which earns a notable distinction: it is the first major US network drama to integrate the 'narcocorrido'—a ballad form chronicling the exploits of drug traffickers and criminals—into its central plot.

The primary investigative plot of Safe is a classic Shield side-story, a self-contained procedural that begins with a compelling, culture-specific hook. Irma Maldonaldo (Bunnie Rivera) arrives at the Barn to report that a man named Chaydez (Ken Garcia), suspected of abducting her teenage daughter Reina, has commissioned a 'corrido' celebrating her murder and specifying her burial site. Detective Vic Mackey is deeply sceptical of a case built on folk music. Captain David Aceveda, drawing from his Mexican-American heritage, offers crucial context, describing corridos as a form of 'recorded history' for certain communities. Vic's assignment to investigate the alleged burial site, aided by the attractive K-9 officer Lauren Riley (Natalia Zea) and her cadaver dog, initially plays like another iteration of his roguish charm. However, the procedural quickly escalates in gravity when the search yields not one, but eight bodies.

The subsequent autopsy results—revealing all victims were women with chemical traces linked to amphetamine production—steer the investigation toward a meth production ring. The key witness is the self-published narcocorrido singer, Otilio Ramirez (Luis Robledo), who was paid by Chaydez to glorify the crime. While Detective Claudette Wyms cleverly uses lyrics from Otilio's other songs to solve several unrelated cases, this main thread becomes entangled by personal turmoil. Captain Aceveda, still reeling from the traumatic sexual assault he suffered in the previous season, behaves with uncharacteristic volatility. His physical assault on Chaydez during an interrogation is a stark, disturbing departure from his normally controlled, political demeanour. This lapse creates a complication the detectives must circumvent. The investigation proceeds through gritty, plausible police work: Vic and the Decoy Squad track down Baodelo (Alejandro Patino), a meth producer revealed to be Chaydez's cousin. They learn the buried women were casualties of toxic lab exposure, with Chaydez assisting in disposing of the bodies. The procedural culminates in the rescue of a truckload of undocumented immigrant women forced to work in the lab and, ultimately, the discovery of Reina herself—alive, well, and a willing participant with Chaydez. The commissioned narcocorrido, it turns out, contained false lyrics, a twist that satisfyingly subverts expectations while reinforcing the theme of narratives being manipulated for reputation and terror.

Simultaneously, Safe advances the season's primary serialised arc: the Strike Team's desperate attempt to launder the millions stolen from the Armenian 'money train.' Their objective is to match the stolen cash with the U.S. Treasury's list of marked bill serial numbers, a document held within Captain Aceveda's office safe. The episode cleverly uses a presidential visit to Los Angeles—which diverts most Barn personnel to security details—as an opportunity for Shane Vendrell to attempt a burglary. The failure of this plan, due to an incorrect combination, only forces Vic to devise an even more audacious scheme. In a move of brazen ingenuity, he orchestrates the physical replacement of Aceveda's safe with an identical empty one, buying time for Ronnie Gardocki to crack it. When Ronnie fails, the solution arrives in the form of a deus ex machina that feels organic to The Shield's world: Smith Holts (V. JK. Foster), a former professional safecracker. Under the guise of repairing the now 'faulty' safe, Holts obtains the combination directly from Aceveda and delivers it to the Strike Team. The list is copied, the safes are swapped back, and the immediate crisis is averted. This plotline is a masterclass in sustained tension, showcasing the team's reckless competence and Vic's Machiavellian resourcefulness under pressure.

The safe subplot dovetails powerfully with the ongoing deterioration of Captain Aceveda, linking the episode's disparate threads. Inside the safe, alongside the Treasury list, the Strike Team finds mugshots of gang members Aceveda had been studying. More crucially, Aceveda's violent outburst against Chaydez is captured on a camera phone by Vic. In a moment of complex morality, Vic gives the incriminating video to Aceveda to protect him, acknowledging the shared, if differently motivated, corruption of their worlds. This act of protection underscores how Aceveda's trauma is eroding his moral core. The episode's most potent scene arrives in its final moments, as a broken Aceveda confesses the details of his rape to his cousin Rigoberto (Ruben Garfias). Benito Martinez’s performance here is devastating, conveying a profound vulnerability previously unseen in the character. Rigoberto’s response—that, in his place, he would find and kill the rapists—is a chilling suggestion. It implies that the traumatised Aceveda, the supposed moral counterweight to Vic's corruption, might be capable of sinking into darker, more personal vengeance than Vic's calculated criminality ever entailed.

Where Safe stumbles slightly is in its handling of secondary storylines, which feel underdeveloped and reliant on worn tropes. The treatment of Detective Dutch Wagenbach as comic relief is particularly jarring. A subplot concerning a misplaced department laptop, potentially containing embarrassing files from his sex crime investigations, is reported to Internal Affairs by Aceveda's overzealous assistant Nina (played by Linda Freidman). This thread goes nowhere meaningful, reducing a typically insightful character to a figure of bureaucratic farce. Similarly, a domestic beat involving Vic's wife Corrine—who unexpectedly asks him to take the children for the weekend—serves only to conveniently sabotage his planned date with Officer Lauren Riley. This feels like a contrived narrative shortcut to maintain Vic's isolated, work-consumed persona.

Despite these minor flaws, Safe stands as a remarkably strong episode. Scripted by Adam Fierro, it demonstrates a tighter focus and more coherent structure than some of its predecessors. The central procedural, replete with its twists—the multiple bodies, the false corrido, the alive-and-well victim—unfolds in a comprehensive and realistic manner, grounded by the authentic use of narcocorrido culture. The episode also functions as a fascinating cultural time capsule. Vic's ironic quip about potentially voting for the President if his safe-cracking scheme succeeds directly references the looming 2004 election, embedding the story in a specific political moment. Furthermore, the portrayal of Otilio Ramirez—an aspiring musician burning CDs to sell on the street—captures a pre-social-media, pre-streaming era of grassroots music distribution, a world now largely vanished. Ultimately, Safe succeeds because it seamlessly blends a culturally rich, tense procedural with critical serialised character development.

RATING: 7/10 (+++)

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