It's interesting how the book ends with only Bernard speaking - am wondering if he's either the oldest of them to survive, or if he's the only one who thinks about them consistently throughout his life? People get pulled apart by obligations and just growing apart generally and it seems pertinent that Bernard is the only one who speaks for them all (though of course Percival and Rhoda cannot at this point).
This last section also seemed the most musical to me - it made me think of how Woolf was supposedly wrote this in response to losing her brother Thoby, so it could be seen as a sort of requiem mass, as well as lots of repeated and reworked phrases and themes Bernard thinks of or utters. It also made me think of Renaissance 'consorts' which is usually a group of 4-6 parts/instruments often composed in a contrapuntal style (so a little before Western music went ham with chords/melody/harmony etc.) where all parts will have the main melody at some stage of the composition and all of the parts kind of take turns and 'pass' the main theme to each other.
In any case, it's an amazing tribute to a deceased love one. The act of reading was made so enjoyable by the rhythm Woolf set with her choice of words - I really would love to hear this performed as a radio play. It's been a couple of decades since I read Woolf's fiction and I'm so sad to have finished reading this, but really glad to have done so.